Florence’s Textile Legacy

From Renaissance Portraits to Modern Design

Florence’s impact on fashion isn’t just about runway shows—it begins with fabrics. The city has been a hub of textile production since the 12th century, initially excelling in wool before mastering luxurious silks and brocades in the 16th century. This expertise and the Florence textile legacy is immortalized in Renaissance art. While visiting the Uffizi Gallery, you can admire Bronzino’s famous portrait of Eleonora di Toledo. The 16th-century artist perfectly depicted the subject’s intricately detailed dress, reflecting the city’s textile craftsmanship.

Wool, elastic fabrics, velvet and more…

Fast forward to modern fashion, and Florence textile legacy and influence is still evident. A prime example is Audrey Hepburn’s Givenchy coat in Breakfast at Tiffany’s, a model of Givenchy, was made from vibrant” Casentino wool”—a signature fabric of Tuscany. And we cannot forget Emilio Pucci, who in the 1960s not only created unforgettable bright prints but was also constantly experimenting with textiles. As one of the first to create sportswear, he produced synthetic velvet and, through collaborations with various producers, developed printed cotton known as “Wally Pliss.” He also patented a light, comfortable elastic fabric called “Emilioform.”

Tradition and innovation

This ongoing tradition connects the past and present never forgetting innovation, showcasing how Florence’s textiles remain integral to both Italian and global fashion. For those curious to see this craftsmanship firsthand, the Museum of Fashion and Costume at Palazzo Pitti offers an in-depth look at centuries of fabric innovation and Florence textile legacy. If you’re interested in learning more about the museum, check out our fashion tour.